DIFFERENT COMPONENTS OF BOOK COVER DESIGNS THROUGH HISTORY

Different components of book cover designs through history

Different components of book cover designs through history

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Books may be made up of words in plain old black and white, however they are also the colour covers that they are adorned with.

When you truly think of it, it is quite remarkable that a book's cover, no matter how lovely it is, manages to stand so eloquently for something that is nearly the complete antithesis of its art format-- writing in white and black. In fact, book covers have been developed to show the emotional state of a book and interest its intended audience since the start of big scale publishing in the Victorian Era. Artists were tasked with discovering what makes a good book cover for specific individuals, or in other words, marketing. People like the CEO of the asset manager that has a stake in Amazon can probably appreciate the function of marketing in creating book covers.
When we buy a book it becomes something extremely very personal to us. It can sometimes be unusual seeing a book you like with a different book cover, simply because it is not your book. This personalisation, and certainly ownership, of books was at an entirely various level at the start of the age of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the book. They would buy the book itself from the printer wrapped in paper, then take it to a binder who would bring in the covers to the customer's requirements. This usually implied being dressed in leather and after that inscribed with the name of the book, and, more often than not, the name of the book's owner. People like the co-founder of the impact investor with a stake in World of Books can probably value the ownership that individuals come to feel in regards to their books.
We love reading books since they are extremely stunning things. This holds true, however the nature of beauty that we might be discussing is certainly different to what we might be talking about if we were talking about, say, the visual arts. Or is it? For as long as we have had books we have decorated them with beautiful book cover designs that attempt to mirror the charm of what is within. This goes back for as long as the codex itself has actually been around, with middle ages monks, those charged with the security and proliferation of the scarce texts that might still be discovered, ornamenting each hand composed text with remarkably abundant and lovely styles. In fact, such was the appeal held within these books that most of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of rare-earth elements. Individuals like the co-CEO of the hedge fund that owns Waterstones can most likely value the manner in which the beauty of these book covers was created to match the beauty within the book.

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